Amazing Mysteries: The Bill Everett Archives v1 hits comic-book stores this week (although, in true comic-book fashion, some slipped out to the East Coast last Wednesday, and it doesn't hit bookstores and Amazon.com until next Monday).
It's 240 pages of all Everett Golden Age goodness featuring rare and never-before-reprinted work from titles such as Amazing Mystery Funnies (1938), Amazing-Man Comics (1939), Target Comics (1940), Heroic Comics (1940), and Blue Bolt Comics (1940). Join us in Toronto on Wednesday, February 29 at 7pm for the Book Launch Event hosted by The Beguiling.
The reviews are coming in and are superlative regarding the production of the book, and reveal the fascination of watching Everett's style evolve. Oddly enough, some of the reviews use language that contradicts the expressed purpose of how I organized the book - by "action hero" versus strict chronology. In other words, I included works of Everett from 1940-1942 to highlight the change in Everett's style in 1940 to that well-known slick, polished style, so that readers who buy this, or the subsequent, volume would have a sampling of his work from 1938-1942 to compare.
If I had gone strictly by chronology, you would have only seen the more raw material from 1938-39, plus you wouldn't have a sampling of virtually all of Everett's creations in each volume. Alas, I don't envy a reviewer's workload when it comes to absorb 240 pages of this volume plus every other product that came out in the given week. Rest assured, though, that while the first half of volume one is Bill's comparatively raw style, you do get a huge sampling in the book's second half of his more polished work. Volume two will also take this to the next level, as it will include his super-rare 1950s romance and adventure work for Eastern, plus some unexpected Everett goodness! Here are snippets of the reviews to date:
Comic Book Resources - "What’s exciting for me about this book is watching Everett develop as an
artist and storyteller and figure out the medium in relatively rapid
fashion. His lettering, clunky and stylized in his initial Skyrocket Steele story,
quickly more straightforward and easier to read. His composition
becomes more assured and dramatic. He clearly starts thinking of the
page as a unit and not a bunch of unrelated panels as they stories start
to seem less cluttered and more refined.
Publisher's Weekly - "This volume provides an illuminating look at the artist’s numerous
attempts at catching Sub-Marineresque lightning in a bottle for a second
time."
Comics Bulletin - "For fans of comics from the dawn of the comic book era, this book is an indispensable gift from Blake Bell and Fantagraphics."
Booksteve's Library - "Presented chronologically, one can witness Bill's design skills develop by leaps and bounds even as his storytelling skills just seem to have come naturally to him. Compiled by Blake Bell, author of the still recent Bill Everett biography, who provides some insightful text and art samples throughout, fans of Golden Age comic books in general and key artists in particular have a treasure trove here similar to Vanguard's recent Wally Wood volume. Lots of fun, colorful stories with some of the best artwork of the late 1930's and early 1940's."
Michael T. Gilbert - "The reproduction is absolutely superb, shot from the original comics
but really cleaned up nicely. It's truly a pleasure to look at, and
Blake's insightful commentary on Everett's life and career is
fascinating. Early efforts like Amazing-Man and Skyrocket Steel, reprinted here,
display Bill's early efforts when he was still learning the ropes. But
even then Everett had an uncanny knack for telling an exciting story
with unexpected twists and fascinating characterization. For my money,
Bill was as great a writer as he was an artist (and more's the pity he
wasn't encouraged to write more of his own material in the 60s!).
This is the collection hardcore Everett fans have always wanted to see,
but never dreamed they would. The incredibly rare stories in this book
aren't as slick as say, Lou Fine or Will Eisner, but the stories
themselves are really terrific and very readable."
Thursday, February 23, 2012
Monday, February 20, 2012
Scans of Bill Everett Sub-Mariner B&W origin story
We hope you’ll join us for the Bill Everett Book Launch on Wednesday February 29 in
Toronto for Amazing Mysteries: The Bill Everett Archives v1. We’ll be featuring
some dazzling early work by Everett in my brand new slideshow on the
Sub-Mariner creator, as well as on Steve Ditko. (Mysterious Traveler: The Steve Ditko Archives v3 went to the
printers last week! Out in Q2!)
Perhaps the most dazzling piece of Everett artwork from
the early Golden Age of Comics (Everett produced work during this period from
1938-1942 before going to war; he started up again in 1946) is the original
origin story for the Sub-Mariner. Most people remember the 12-page story in
color from Marvel Comics #1 in 1939
but, prior to owner Martin Goodman commissioning that first book, Everett had
already worked up the original 8-page version for a movie theatre promotional giveaway
called Motion Picture Funnies Weekly.
It was produced by the Funnies Inc. shop (i.e., a studio of comic-book creators
that packaged comics for publishers unwilling in these early days to have their
own stable of paid employees) that Everett had formed with his editor at Centaur Publications, Lloyd Jacquet (where Everett started in 1938 doing comics
that we feature in the Everett Archives). Copies of MPFW only surfaced in the 1970s
when Jacquet passed away.
Motion Picture
Funnies Weekly #1 had a color cover, but the interior was B&W, and led
off with Everett’s Sub-Mariner origin story. Click HERE
to view scans of the entire issue (thanks to author Sean Howe for the link), including the back cover drawn by Everett promoting Funnies Inc.'s desire to encourage similar business for the shop.
Read through the message board thread and you’ll learn a lot about the history
of this key comic book (which we discuss in great length in my Fire & Water
Bill Everett biography). When the story was “reprinted” in Marvel Comics #1, Everett expanded it by four pages (the original
art to page 12 is featured in the Everett Archives v1) and attempted a coloring
process that, in print, didn’t yield the desired results. Seeing the story in
B&W only highlights Everett's place in the absolute top tier of creators during
the Golden Age of Comics. (Creators, not
just pencilers, since Everett was a five-tool player, to use a baseball analogy).
My favorite panels from the story include that stunning
bottom panel on pg 2 (the first shot of the diver underwater) and I've always
been in love with the "grace" of the final 4 panels of the following
page. Page four features the Sub-Mariner crushing the head of the diver -
hardly the plain jane origins of a garden variety superhero! On page 6, I love
the way he portrays the Sub-Mariner, his mother and the Emperor; such fluidity
in that line work. Once Everett gets down to the business of pumping out the strip, and
his other work for Funnies Inc., on a monthly basis, we don't see the
Sub-Mariner portrayed in this fashion again. And, of course, we get to see
history clarified in that last panel on pg. 8 - April 1939 and "continued
next week", removed for the expanded version (12 pgs) in Marvel Comics #1. The historical importance of MPFW can never be underestimated, in terms of writing the history of Marvel Comics, the company.
As we point out in the Everett Archives v1, Bill’s style
in 1938-39 is very raw and dynamic, compared to this first Sub-Mariner story,
until 1940 when that “polish” for which he became famous kicks into high gear on
strips like Hydroman. But you can clearly see from these scans why Everett was
considered a prodigy. He had artistic talent in spades before he entered comic
books and it shines through in the original origin story of the Sub-Mariner in B&W.
Tuesday, February 7, 2012
My Ditko article in San Diego Comic-Con 2012 Annual
I hate "sitting" on cool stuff. It worked for me when the editor of the Marvel Masterworks series couldn't get my Dr. Strange introduction approved in time for inclusion but, this time, I was on needles and pins for months waiting to spill the beans on the Ditko excitement found in this year's San Diego Comic-Con 2012 Annual. I was hired last November to write a 2000-word piece on Steve Ditko's contributions to the Spider-Man book and character for the Con's show piece publication. It's the 50th anniversary of Steve Ditko and Stan Lee's creation that first saw print in Amazing Fantasy #15, and the Con is all over it in their 80-page annual. (Perhaps prompted somewhat by the new movie starring the guy from Never Let Me Go, Andrew Garfield.)
The Annual has a print run of 135,000 copies (probably making it the most widespread publication I've been included within). The book is squarebound, on lovely matte-finish paper and shipped in a polybag. The Con introduced the publication last year and it was a great success. You can also read and download it online at the Con's website. The Annual also features a piece on the John Romita era by Tom Spurgeon, he of the super-blog Comics Reporter. If you see me at this year's Con, stop me and say hello.
(Thanks to Ben Towle - cartoonist supreme at www.benzilla.com - for the above scans.)
Sunday, January 29, 2012
Bill Everett Archives v1 Toronto Book Launch Event
On Wednesday, February 29, 2012 at 7pm, The Beguiling (Toronto's finest book store) is hosting a book
launch for the release of my latest book, Amazing
Mysteries: The Bill Everett Archives v1. It looks like the book will make its way into stores on the Wednesday prior, so there will be plenty of copies available for purchase!
The event features a book signing and exclusive slide show entitled "Bill Everett and Steve Ditko: Before the Sub-Mariner and Spider-Man" (as we also preview the third volume of my Steve Ditko Archives series, out in April). Join our Facebook Page for the Event.
The event is being held right next to The Beguiling at The Central (restaurant and bar), 603 Markham St., Toronto, Ontario, Canada. All those who attend will receive a signed Everett Archives v1 tipped-in bookplate by me!
Bill Everett created the Sub-Mariner (the first anti-hero and mutant of the Marvel Universe), and co-created Daredevil. "The Bill Everett Archives v1" reprints for the first time Everett's earliest work in comics from 1938-42 featuring his creations Amazing Man, Hydroman, Skyrocket Steele and many more!
Steve Ditko is the co-creator and original artist of the Amazing Spider-Man, but produced an entire library worth of work in the decade prior. "Mysterious Traveler: The Steve Ditko Archives v3" debuts in April and focuses on Ditko's stellar work from 1957 for Charlton Comics.
More information on Amazing Mysteries: The Bill Everett Archives v1
View the Bill Everett Archives v1 promo press sheet for more information on the book, published by Fantagraphics Books, Inc.
Pre-order from Amazon.com or directly from the publisher, Fantagraphics Books Inc.
Listen to me talk about the Bill Everett and Steve Ditko Archives series on Inkstuds.com and Collected Comics Library.
Watch a video preview below and read a 23-page excerpt featuring three Hydroman stories!
The event features a book signing and exclusive slide show entitled "Bill Everett and Steve Ditko: Before the Sub-Mariner and Spider-Man" (as we also preview the third volume of my Steve Ditko Archives series, out in April). Join our Facebook Page for the Event.
The event is being held right next to The Beguiling at The Central (restaurant and bar), 603 Markham St., Toronto, Ontario, Canada. All those who attend will receive a signed Everett Archives v1 tipped-in bookplate by me!
Bill Everett created the Sub-Mariner (the first anti-hero and mutant of the Marvel Universe), and co-created Daredevil. "The Bill Everett Archives v1" reprints for the first time Everett's earliest work in comics from 1938-42 featuring his creations Amazing Man, Hydroman, Skyrocket Steele and many more!
Steve Ditko is the co-creator and original artist of the Amazing Spider-Man, but produced an entire library worth of work in the decade prior. "Mysterious Traveler: The Steve Ditko Archives v3" debuts in April and focuses on Ditko's stellar work from 1957 for Charlton Comics.
More information on Amazing Mysteries: The Bill Everett Archives v1
View the Bill Everett Archives v1 promo press sheet for more information on the book, published by Fantagraphics Books, Inc.
Pre-order from Amazon.com or directly from the publisher, Fantagraphics Books Inc.
Listen to me talk about the Bill Everett and Steve Ditko Archives series on Inkstuds.com and Collected Comics Library.
Watch a video preview below and read a 23-page excerpt featuring three Hydroman stories!
Sunday, January 15, 2012
Satanic Torture in the Secret History of Marvel Comics
Last week, we announced that my upcoming collaboration with Dr. Michael Vassallo, The Secret History of Marvel Comics: Jack Kirby and the Moonlighting Artists at Martin Goodman’s Empire, has expanded from 168 to 300 pages. This is to accommodate the tons of imagery by the top artists at Marvel of the 1940s and 1950s that we continue to uncover since we announced the book last November (still on track to debut in July at the San Diego Comicon).
What is even more intriguing, however, is the content of some of that imagery. Remember those quaint comic-book covers from the 1940s that featured light “bondage” with women tied up by a villain as the hero rushed in to save her? Well, apparently, as an artist finished the latest issue of, say, Captain America, they then took their pens to something a wee bit more extreme.
Below is a handful of illustrations from just one issue of a Martin Goodman pulp, Mystery Tales, from 1940. (Another connection to the Marvel Comics of the 1950s – Mystery Tales was a comic book that had a 1956 issue featured on the TV show, Lost; an issue that featured Steve Ditko’s second story for Marvel.)
These make even those 1960s Eric Stanton/Steve Ditko bondage (and temperate sexual sadomasochism) collaborations look like children’s books. The material below is not representative of all the imagery in our book, by any means, but it is a sub-genre that can’t be ignored because it’s not just limited to one issue or one famous Marvel artist.
Remember Stanley Kubrick’s last film, 1999’s Eyes Wide Shut, and that scene with Tom Cruise entering the mansion where all that open sexual intercourse is being played out amongst the upper crust of Manhattan? Below, that “Yield, Lovely Maidens, to the Blood-Master” double-splash page makes Kubrick look like Garry Marshall! Scantily clad women forced to jump off a raised, fiery platform, destined to be impaled by large spikes laid out in front of tables of laughing rich guys? “Get behind me, Satan!” indeed.
We posted these images (click to enlarge) because, as happened sometimes in those days, they are unsigned and Michael Vassallo, our art expert, is leaning towards Jack Binder. Binder was the creator of the original Daredevil character (the non-Marvel version), and older brother of comic-book writer, Otto Binder. Please use the Comments section below to weigh in with your opinions.
There are other images in the book not featured here by famous Marvel artists that display women being whipped, scars visible all over their bodies, an inch away from death by demons and zombie-like figures in human form; the extremes between the innocence of the Golden Age of Comics and this wing of Martin Goodman’s empire makes you understand why we called this book, The Secret History of Marvel Comics...
What is even more intriguing, however, is the content of some of that imagery. Remember those quaint comic-book covers from the 1940s that featured light “bondage” with women tied up by a villain as the hero rushed in to save her? Well, apparently, as an artist finished the latest issue of, say, Captain America, they then took their pens to something a wee bit more extreme.
Below is a handful of illustrations from just one issue of a Martin Goodman pulp, Mystery Tales, from 1940. (Another connection to the Marvel Comics of the 1950s – Mystery Tales was a comic book that had a 1956 issue featured on the TV show, Lost; an issue that featured Steve Ditko’s second story for Marvel.)
These make even those 1960s Eric Stanton/Steve Ditko bondage (and temperate sexual sadomasochism) collaborations look like children’s books. The material below is not representative of all the imagery in our book, by any means, but it is a sub-genre that can’t be ignored because it’s not just limited to one issue or one famous Marvel artist.
Remember Stanley Kubrick’s last film, 1999’s Eyes Wide Shut, and that scene with Tom Cruise entering the mansion where all that open sexual intercourse is being played out amongst the upper crust of Manhattan? Below, that “Yield, Lovely Maidens, to the Blood-Master” double-splash page makes Kubrick look like Garry Marshall! Scantily clad women forced to jump off a raised, fiery platform, destined to be impaled by large spikes laid out in front of tables of laughing rich guys? “Get behind me, Satan!” indeed.
We posted these images (click to enlarge) because, as happened sometimes in those days, they are unsigned and Michael Vassallo, our art expert, is leaning towards Jack Binder. Binder was the creator of the original Daredevil character (the non-Marvel version), and older brother of comic-book writer, Otto Binder. Please use the Comments section below to weigh in with your opinions.
There are other images in the book not featured here by famous Marvel artists that display women being whipped, scars visible all over their bodies, an inch away from death by demons and zombie-like figures in human form; the extremes between the innocence of the Golden Age of Comics and this wing of Martin Goodman’s empire makes you understand why we called this book, The Secret History of Marvel Comics...
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Sunday, January 8, 2012
"Secret History Of Marvel Comics" x 2!
Last week, we revealed the origins of how me and my collaborator, Dr. Michael J. Vassallo, brought our latest book, The Secret History Of Marvel Comics: Jack Kirby and the Moonlighting Artists at Martin Goodman’s Empire, into being. We promised a big announcement this week and here it is! Originally, the book was going to be 168 pages, but it now can be told that it is going to be increased to 300 pages! The book will make its debut at the San Diego Comicon in July of this year. so we've got some work to do, but how did we almost double the page count, while only raising the cover price by $10?
After you pre-order the book from Amazon.com, I want you to come back here next Sunday night for a showcase of some of the amazing artwork (toe-curling imagery that you won't believe made it onto the printed page back in the 1940s!) that has overflowed our hard drives since we announced the book back in November. We thought we had too much to begin with, but we've uncovered so much more artwork from the creme of Marvel Comics' stable of artists from the Golden Age of Comics that we were able to convince our publisher, Fantagraphics Books Inc., to jump that page count in hopes of containing it all. Remember, virtually no one alive has seen this artwork, buried in owner Martin Goodman's non-comics publications from 70 years ago, and we've uncovered even more of it in the last two months.
I update this blog every week with news about the book, but you can join the Secret History of Marvel Comics Facebook Page, or my Twitter account and Doc V's account, to get real-time updates on how we are putting this milestone book together.
To see a list of all my books available for order (or pre-order), including the first volume of The Bill Everett Archives and the third volume of the Steve Ditko Archives, go to the Purchase My Books page that I created this weekend.
After you pre-order the book from Amazon.com, I want you to come back here next Sunday night for a showcase of some of the amazing artwork (toe-curling imagery that you won't believe made it onto the printed page back in the 1940s!) that has overflowed our hard drives since we announced the book back in November. We thought we had too much to begin with, but we've uncovered so much more artwork from the creme of Marvel Comics' stable of artists from the Golden Age of Comics that we were able to convince our publisher, Fantagraphics Books Inc., to jump that page count in hopes of containing it all. Remember, virtually no one alive has seen this artwork, buried in owner Martin Goodman's non-comics publications from 70 years ago, and we've uncovered even more of it in the last two months.
I update this blog every week with news about the book, but you can join the Secret History of Marvel Comics Facebook Page, or my Twitter account and Doc V's account, to get real-time updates on how we are putting this milestone book together.
To see a list of all my books available for order (or pre-order), including the first volume of The Bill Everett Archives and the third volume of the Steve Ditko Archives, go to the Purchase My Books page that I created this weekend.
Saturday, January 7, 2012
"Purchase My Books" Page is now up!
I've just created a "Purchase My Books" page on my blog where you can order (and pre-order) all my books from Amazon.com, and those to which I've contributed, at big discounts! You can also order directly from my publisher Fantagraphics Books Inc. or if you want to order a signed copy of a book directly from me, please email me at ditko37@rogers.com. A nice checklist of my writing career...which also includes an oddity: I ran a Thompson Twins fan web site starting in 1996 and BMG U.K. hired me in 2003 to write the linear notes and compose the track listing for the Greatest Hits of the 1980s new wave, synth-pop power house (known mostly for their #1 hit, Hold Me Now). Lead singer Tom Bailey still pays compliments to my recap of that era. Anyway, help me feed my hungry mouths with a purchase of my books, thank you kindly!
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