Bill Everett invades Spain!

As we await the arrival of Amazing Mysteries: The Bill Everett Archives v1 from the printers, take a look at where my Bill Everett biography / art book, Fire & Water, is turning up! Clearly, La Central (located in Barcelona, Spain) is a fine purveyor of quality books, based on the selection of graphic novels present in the photos (courtesy of Bill's daughter, Wendy Everett)...


Technically, these photos were from late last year, and it's not the first time I've invaded Spain. The first Steve Ditko Archives volume was translated into the Spanish language.

My Bill Everett book nominated for an Eisner Award

I’ve been so busy working on my next book, Amazing Mysteries: The Bill Everett Archives v1, and beginning work on the third volume of The Steve Ditko Archives that I haven’t even had the time to acknowledge here that my Bill Everett biography/art book from 2010, Fire & Water, received an Eisner Awards nomination for Best Comics-Related Book. The Eisners are the comic-book version of the Oscars/Academy Awards, named after Will Eisner, one of the comics medium pioneers who created The Spirit newspaper strip back in 1940 and is considered the “Godfather of the Graphic Novel”. It’s his seminal book A Contract With God that many point to as the tipping point for a change in the delivery model for sequential art from “floppies” towards the graphic novel format that dominates today.

10 years ago, at the 2001 San Diego Comicon (my first convention outside of Canada), I attended the Eisner Awards and it’s a moment I’ve never forgotten. Why? Well, the event was the culmination of being submersed in the “Comicon Experience” (back when the emphasis on comics was much stronger). My first article had been published at the show (on Steve Ditko in Comic Book Artist) and I had already been “star struck” from meeting many of the artists and writers I had admired for the first time, attending panels, and also buying more comics than I could likely afford. And, a few weeks before on July 4th, I had launched the official (yep, Steve Ditko had sanctioned it) web site for Ditko and his co-publishers to sell their wares on the Internet and get their message out. That attracted some professional ears, leading to my first meeting with my soon-to-be-(co)publisher, Gary Groth (of Fantagraphics), as well as Mike Catron (who had co-founded The Comics Journal with Gary back in the day) who I helped with some filming of the various panels.

But it was at the Eisner Awards where I sat and watched Jill Thompson win everything and she ran up to the stage effervescently to great cheering and I thought to myself, “I’d give my teeth to be a part of this industry.” Dave Sim’s “you’ve got 2000 bad pages in you, so get them out first” words rang in my ears, so I knew my entry into the industry likely wasn’t going to come producing comic books but instead through the documentation of their history and in showcasing the careers of the creators within.

At that ceremony, the sense of appreciation for the effort and sheer force of will and determination that it takes to produce quality work in the comic-book medium was palpable. I grew up having such an appreciation for the medium and those who toiled in it that, on this night, that feeling of wanting to be a part of the industry was probably what remains as the most salient emotion from my Comicon Experience.

That night would also launch my book-writing career. Mike Catron grabbed me after the Eisners was over and introduced me around to every luminary he knew and, as I watched the patient spouses of these creators tell their tall tales, I came up with the idea for my first book, I Have To Live With This Guy! (thinking that these women must know the real story of these creators who work in such solitary confines) and sold it to TwoMorrows the next morning. Thirteen months later, I was holding a volume in my hands featuring in-depth interviews with Will and Ann Eisner, as well as Stan and Joanie Lee, Alan Moore and Melinda Gebbie, Howard Cruse and Ed Sebarbaum, and on the list went on.

So, to see a book on Bill Everett receive recognition at the Eisners is a satisfying signpost in my journey as a writer in this industry. Everett passed away before I was even three years old, but I hope his family – who were instrumental in making the book more than just a nice picture book – appreciate the recognition too.

Click HERE to see the full list of Eisner 2011 nominees. The Awards are held in conjunction with the San Diego Comicon this July (the awards show itself on Fri Jul 22). The other nominees are a daunting group:

• Doonesbury and the Art of G. B. Trudeau, by Brian Walker (Yale University Press)
• Fire and Water: Bill Everett, the Sub-Mariner, and the Birth of Marvel Comics, by Blake Bell (Fantagraphics)
• The Oddly Compelling Art of Denis Kitchen, by Denis Kitchen and Charles Brownstein, edited by John Lind and Diana Schutz (Dark Horse Books)
• Shazam! The Golden Age of the World's Mightiest Mortal, by Chip Kidd and Geoff Spear (Abrams Comicarts)
• 75 Years of DC Comics: The Art of Modern Mythmaking, by Paul Levitz (TASCHEN)

Thank you to the Eisners nominating committee, to Fantagraphics for publishing the book, and to the Everett family for all they offered to make it a worthy work.

Listen to Wendy Everett discuss her Dad, Bill Everett

As we are but weeks away from completing work on volume one of the Bill Everett Archives (reprinting Bill's non-Marvel work from 1938-42), we present for the first time an audio treat for all EverettNation! Back on Saturday, September 25, 2010 in Toronto, The Beguiling book store hosted a launch party for my "Fire & Water" Bill Everett biography / coffee table art book. We were blessed to have Wendy Everett, Bill's daughter and first child, fly up from her home in Cambridge, Mass. to participate in a discussion about her Dad's life and career as one of the first-generation comic-book creators.

Click HERE to start downloading the mp3 (70 MB) where I spend 16 minutes recapping Bill's career and life, and then just over an hour of me and Wendy Everett discussing her Dad. The audio is crystal clear, recorded by the people at Innis College Town Hall. Wendy is such an articulate and classy lady, so her ability to convey her emotions about her Dad's passion for comics, and the impact of her Dad's alcoholism on his career and on his family, is very vivid (thanks to Jamie Colville for hosting the audio).

Chris Butcher, Manager of the store The Beguiling who hosted the event, tweeted this during my on-stage chat with Wendy Everett: "This presentation is utterly amazing. The story of Everett's battle with alcoholism coming from his daughter... Heartbreaking." Wendy also talks about how her growing up legally blind was the influence for the character Daredevil that Bill Everett and Stan Lee (Wendy's godfather) co-created. She also shares her thoughts about pursuing an ownership claim on Daredevil.

Blake Bell in San Diego! Bill Everett book debuts!

My Bill Everett book will be available for sale at 6pm Wednesday when Preview Night opens. Here's a list of where I'll be and when...

Signings (Fantagraphics Booth #1718):
Thursday - 5 to 6pm
Friday - 6 to 7pm, signing with Wendy Everett (Bill's daughter)
Saturday - 11am to 12pm

Bill Everett Panel:
Saturday - 5:30 to 6:30pm (Room 9) "Bill Everett: From Sub-Mariner to Daredevil, with Blake Bell and Wendy Everett" (an hour of Wendy and I talking about her father, the book, and opening the floor to questions)

Misc:
Thursday - 3:30 to 4:30pm (Room 8) "Spotlight on Howard Cruse - Comic-Con special guest Howard Cruse, author of the newly reissued 'Stuck Rubber Baby', the creator of Barefootz and Wendel, and the founding editor of Gay Comix, is interviewed by author Blake Bell, who profiled Howard's husband Ed Sedarbaum for Bell's 2002 book 'I Have to Live with This Guy!' Questions from audience members will be welcome."

Blake Bell News will be the centerpiece for news about all activity around my books, as well as my observations about pop culture in the areas of comics, movies, television, music and sports.